Mirror, Mirror

Avert your eyes if you don’t like spoilers!

If the trailers made “Mirror, Mirror” look like a comedy, it’s because they had the funniest parts. Maybe I should have known better. That guy who imagined up “The Cell” directed “Mirror, Mirror”, meaning it manages to be bright and colorful and creepy all at the same time.

It’s a fun movie, but not a very good one. I think it was the seven dwarves that turned me off. There was a faint reek of political correctness about them. They aren’t indentured miners or whatever they were supposed to be in the Disney film. They’re ruggedly and independently employed as a merry band of bandits. The actors playing them had many unnecessary lines—as if there was contractual obligation to be equitable—that killed the momentum of their scenes. In this case, adding depth to the characters didn’t contribute to the story. A film that wants to avoid the appearance of being exploitative should probably not involve dwarves at all.

Julia Roberts was a hoot, the best part of the movie, better than even the costumes. Actors must find it liberating to play villains. It always makes their performances more enjoyable. Or maybe it’s us and we just like a good baddy. Oddly, I didn’t find her wicked queen to be a fading beauty because Julia Roberts is just as pretty as ever. But I suppose a hypothetical society that fetishizes baby-smooth white skin would indeed find Snow White “fairest of them all.”

Published by Adam

Adam's artificial habitat is my official website and blog. I write as often as I can, so it is the best way to keep up to date on my goings-on.