Since I’ve seen Charles Willson Peale’s 1776 portrait of George Washington a million times in books, I wanted see it in person. We hustled up to Cedar Rapids because Its exhibition at the Museum of Art ends next weekend. Cedar Rapids, as is usual on a winter Sunday afternoon, was deserted and so was the museum, so we had George to ourselves for a little while. The iconic nature of this portrait is largely due its subject, but I’m willing to give Peale more credit for that now that I’ve seen it up close. If I looked him in the eyes, I could sense Washington’s legendary presence and the brass buttons appeared to practically pop off his blue uniform coat.
The portrait was in a big room by itself with some interpretive panels about Washington, Peale, John Hancock (who commissioned the portrait perhaps to flatter the general and ensure Boston and Hancock’s wealth stayed out of British hands), and—since this is Cedar Rapids—Grant Wood, who included themes from the Revolution in several of his paintings and illustrations.